It’s Screenplay Season! The Best Screenplays to Read (with free PDF downloads) – updated for the 2026 Awards Season

Looking for the best scripts to read? Every year, we compile a comprehensive list of free, legal screenplay PDFs from the awards season so that you can learn from the best scripts of the year.

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Noi Sabal
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It's Awards Season! Time for tons of Screenplay Examples Free Downloads
last updated 1/29/2026

We love Awards Season because we get to download and devour tons of the best screenplay PDFs for the best movies released over the past year. For free — legally! They’re ours to download, read, learn from, and keep forever.

During this magical time of year, many studios give away the best examples of screenwriting to convince guild members to read and vote for their scripts/movies in various awards, like the Oscars, Emmys, and WGA Awards. So many studios have “For Your Consideration” (FYC) websites packed with yummy content: behind-the-scenes stills, videos, interviews… and most excitingly to us, the scripts. Yup, they share tons of amazing scripts, all free to download with just one caveat: all screenplays are for educational purposes only. But since we’re always trying to get an edge in our screenwriting, Awards Season downloads are a great way to educate ourselves. How? Let’s take a look.

There are lots of ways we can learn by reading the best, most current screenplays available. First, if you want to write great stories, you have to read great stories to know how it’s done. As Stephen King famously said, “If you don’t have time to read, you don’t have time to write.” And what can be a better place to get your screenplay reading material than a list of award-winning (or nominated) screenplay PDFs?

If you don't have time to read, you don't have the time (or the tools) to write. Simple as that.

— Stephen King

Now, we’re not reading these screenwriting examples to copy them or even to be influenced by their stories, but to absorb screenwriting in general. Since screenwriting is very different from writing traditional prose, it can take a minute to get used to it. Not just to learn about the literal screenplay format (because screenwriting software like Final Draft, Highland 2, or Arc Studio can help with the basic mechanics of formatting your script… so there’s not much of a need to read screenplays to learn formatting). But getting familiar with how screenplay stories are told — how scripts are structured and written — can take some getting used to.

Stack of scripts to read in office with Blue Ninja Neno

The more you read, the better you write.

Reading award-winning screenplay PDFs can help you start to feel how screenwriting works. How to go into a scene late and leave early. How to write action to show, not tell. How to hint at a character’s arc from the very first scene. How to create a satisfying ending that naturally builds and builds… then climaxes in a way that connects with audiences. Screenwriting is not an easy, intuitive way to write. It’s much easier to write traditional prose/fiction because you have a lot more structural freedom. So it really helps to read as many screenplays as possible. Because as screenplays become more familiar to read, screenwriting will become more intuitive to write.

While the basic mechanics of formatting don’t drastically change from year to year, staying on top of trends in screenwriting nuance can be one of the easiest ways to make you look like a seasoned pro. (Are we still using FADE IN? What about CON’T between pages? And staccato sentences — use ’em everywhere… nowhere… just in action scenes???) In meetings, showing that you’re staying current with industry expectations can make a HUGE difference. Being about to talk about a current Oscar contender or a hot trend lets people know you take your craft seriously.

Even if you don’t adhere to formatting trends, being aware of how today’s stories are structured, paced, and written overall can still subtly inform your writing/storytelling. The simple act of reading current screenplays lets you continue to develop your storytelling instincts so you can make informed, confident choices in your own writing — and help you look like a pro in the meetings you’ll get while shopping your amazing script!

So if you have to steep yourself in story by reading current screenplays, what could be better than reading the best screenplays written by the best screenwriters? Screenwriters who have already done what we aspire to: finish their screenplays, get optioned, and produced. When you read the best, you can learn from the best, and, hopefully, become the best!

So let’s dive into our big ole list of professional screenplay PDFs and check out which screenplays writers should read in 2026.

How to Read a Screenplay Like a Pro

Here are 3 quick tips on how to use these future award-winning screenplay examples to help inspire your stories.

STEP ONE: Find and Read Comps

What to look for on a first read
Choose screenplays that are comparable to the kind of story you want to write (aka “Comps”). They can be similar to your story in any way… genre, tone, scope, character, world — anything that speaks to you. On your first read, don’t analyze, just read and enjoy. Notice what speaks to you, where you get pulled in, and, importantly, where your attention drifts. This first, instinctive read is super valuable.

STEP 2: Read-n-Watch

For your second read, watch the movie/show while you follow along in the script. Pay attention to anything that changed, what spoke to you when you were reading vs watch/reading, and how the screenwriter’s choices on the page translated to the screen. Doing a “Read-n-Watch” is one of the best ways to understand pacing, visual storytelling, and how much work the script has to do. Most importantly, notice how little you have to describe/write. Brevity is your friend when screenwriting!

STEP 3: Compare to Your Story Idea

How to analyze and develop your story using real scripts. Now, compare your Comp’s script to your story idea. Compare structure, scene purpose, character decisions, plot points, arc escalations — not to copy them, but to learn from them. Ask yourself where your story is stronger, where it’s thinner, and if there are any techniques you could “borrow” that could impact or inspire your story.

When you read screenplays, you can absorb the cadence of the Action… find the patterns in the patter of Dialogue… get a feel for the succinctness of Scenes. (And! You’ll discover that all Screenwriting Rules are made to be broken — but it’s helpful to know ’em before you go around breaking them!)

If you want some help finding comps or understanding how these scripts work, you can try Writing Ninja’s Movies Like Mine feature for free. It can help you identify similar stories and explore them step by step, making it easier to learn what works and how to apply those insights to your own project.

Why read professional screenplay samples?

First as a film student, then as a screenwriter and teacher, and now as the Founder of Writing Ninja, I’ve been downloading and reading Awards Season screenplays for a long, long time. I’ve learned soooo much from reading the FYC screenplays. And almost every screenwriter friend and colleague I have does the same. These award-winning screenplays are gold! That’s why we take the time to curate this big ole list of the best screenplays to read every year.

You can glean more from reading a few amazing screenplays than you can from reading screenwriting books or watching movies. I have a shelf that groans under dozens of printed FYC scripts that I will still dig out and reference. And the closet in my office has just about every iteration of iPad (all with cracked screens!) that I keep just because they are stuffed with tons of the amazing screenplay PDFs I’ve downloaded over the years. Even now, after decades in the business, my screenplay collection is still growing thanks to this once-a-year, studio-sanctioned bonanza of free scripts to download. And with the links below, this year’s treasure trove of awards season screenplays is a great place to start — or grow! — your own collection of screenplay downloads, too!

So without further ado… let’s dive into Writing Ninja’s list of professional screenplay PDFs for this year’s Awards Season and see which screenplays writers should read in 2026. Enjoy!

Gather ye screenplays while ye may…
After the season, they go away.

Grab as many of these screenplay downloads as you can while you’re here. Because after awards season, the best scripts to read often get taken down by the studios.

The 2026 Awards Season: Free Screenplay PDF Downloads

for educational purposes only

This is a regularly updated list of official FYC screenplays from films released in 2025. Every year at Writing Ninja, we curate free, legal PDF downloads that the studios post for guild voters (and aspiring screenwriters!) to read, study, and learn from. We highly recommend downloading these scripts; they’re fabulous for learning/analyzing structure, character development, and script format.

Click on the Screenplay’s Title to open the script PDF or the Writer’s Name to search for them on IMDb

Screenplay Title
Version
Writer(s)
Why Read?
After The Hunt
08.13.24 Nora Garrett A tense, psychologically driven story that explores moral ambiguity and power dynamics under pressure, this script is great for studying how quiet choices, withheld information, and escalating suspicion can generate momentum without overt action.
Belen
English Agustina San Mart This intimate character study uses a ton of atmosphere and emotional subtext and is good for examining how minimal dialogue, behavior, and setting can carry story weight and reveal character psychology over time.
Blue Moon
CONFORMED SCRIPT JAN. 9, 2025 Robert Kaplow Heavy on mood, subtext, and emotion, this confined setting and real-time story structure work because of razor-sharp dialogue. Great for studying how quiet moments, unresolved tension, and internal conflict can drive story without traditional plot structure.
Bugonia
Pink Shooting Script, 12.08.24 Will TracyJang Joon-hwan This conspiracy-thriller meets absurdist dark comedy is a highwire act of sharp storytelling. In this three-hander, you can see how shifting character perspectives and absurdity can be used to force audiences to explore, accept, or resist the story’s theme.
Deliver Me From Nowhere
CHERRY DRAFT 1-2-2025 Written by Scott Cooper • Based on the book, “Deliver Me From Nowhere,” by Warren Zanes This restrained character study is driven by mood and subtext rather than plot mechanics. It’s super useful for studying how internal conflict and emotional restraint can drive a story.
Eddington
1.21.25 Ari Aster This script (interestingly subtitled, “A COVID-19 Western”), is a study in not only characters, but also world-building and how to establish an unsettling tone. It’s an excellent resource to see how an intentionally abrasive Protagonist can still sustain narrative drive.
Friendship
Final 1/10/2024 Andrew DeYoung This is a biting slice of life, rife with interpersonal dynamics and a shifting power dynamic. Great for studying how tone and character action creates conflict without relying on traditional plot escalation.
Hamnet
Version 2.3 • August 18th 2024 Chloé Zhao and Maggie O’Farrell show how lyrical storytelling and leaning into emotional storytelling can reshape historical material
Hedda
Yellow Shooting Script: 2024.02 Nia DaCosta Another modern reimagining of a classic, read this script to see how timeless character conflicts can be put in a contemporary setting. It’s really great to study for how control, manipulation, and a character’s Internal Goal can drive the dramatic engine and tension.
If I Had Legs I’d Kick You
1.30 with Scene #s Mary Bronstein A bold, voice-driven script that leans heavily on perspective and emotion. This is a fab script to see how discomfort, honesty, and character psychology can carry a story structurally.
Is This Thing On?
(undated) Screenplay by Bradley Cooper and Will Arnett & Mark Chappell Story by Will Arnett & Mark Chappell & John Bishop This is a strong example of how to balance dry humor with emotional weight. Useful for studying how multiple creative voices can harmonize on character, tone, and story cohesion.
It Was Just an Accident
(undated) Jafar Panahi shows how restraint, simplicity, and human observation can carry enormous emotional weight
Jay Kelly
Undated Noah Baumbach • Emily Mortimer Even though this is a reflective character study, it’s a great example of how to create rich supporting characters for an ensemble cast. Great if you want to see how personal conflicts can organically shape story beats by using subtle internal arcs.
KPop Demon Hunters
FULL SCRIPT – BUILD CONFORM 10/31/24 screenplay by Danya Jimenez & Hannah McMechan and Maggie Kang and Chris Appelhans • story by Maggie Kang • Uncredited Writers: Bo Yeon Kim, Erika Lippoldt Don’t just read KPop Demon Hunters as an animated feature. Or as Netflix’s most popular film so far. But read it because it’s got relatable, layered protagonists (with clear wants, vulnerabilities, and choices that drive the plot) and clean storytelling: scenes built around playable actions, sharp turn-by-turn beats, and momentum that doesn’t rely on dialogue to “explain” the movie. It’s also great to learn how to weave music/performances into structure (setups, payoffs, escalation) while keeping character arcs and stakes front and center.
Marty Supreme
FINAL 02/02/25 Ronald Bronstein • Josh Safdie A propulsive, character-driven script that shows how a character’s personality can dictate pacing and structure. Good example of how voice, tone, and dialogue can keep audiences engaged — even when a Protagonist is abrasive or extreme.
Materialists
04/08/2024 – Locked pages Celine Song One word: Dialogue. This script explores intimacy, values, and emotional contradictions and is a great example of how Theme and Character can drive structure more than external plot events.
Pillion
Feb 01 2025 Harry Lighton This is a focused, controlled script with a ton of tone and narrative confidence. It’s a great example of how simplicity and restraint can impact both your character’s arc and your story’s theme.
The Secret Agent
(undated) Kleber Mendonça Filho When writing a script that you *know* you’re also going to direct, you can break all the rules! This is a great example of how writer/directors can include elements for themselves in their screenplays, like photos, shots, notes, and storyboards. (But remember, these are all things you should never include in a spec script.)
Nuremberg
(undated) Written for the screen by James Vanderbilt • Based on the book by Jack El-Hai Aside from being an interesting read, this historical/war script is great for learning current industry preferences on technical aspects of screenwriting, like how to handle writing in different languages, Supers, Epilogue, etc. And the economy of prose is superb; it’s amazing how full of a picture can be made with so few words.
Sentimental Value
Version 2.3 August 18th 2024 Eskil Vogt and Joachim Trier an intimate dialogue-driven exploration of relationships and memory
Sinners
(undated) Ryan Coogler By tying a supernatural horror/thriller story to a tangible, historically charged reality, Sinners excels at myth building and atmosphere while still keeping it “familiar” enough to easily buy in. With dual roles designed to be played by one actor, the character building is fab, packed with distinctive dialogue and unique action for each brother.
The Smashing Machine
SHOOTING DRAFT – JUNE 28TH, 2024 Benny Safdie This is a raw, physical character study driven by internal conflict and full of lived-in detail. Read to see how to write intense internal conflicts and create emotional impact without relying on conventional plot structure.
Sorry, Baby
4.9.25 v2 Eva Victor A superb example of a character-driven script! This script balances humor with emotional vulnerability and is fabulous for studying voice, dialogue, timing, and how tonal shifts can deepen your connection to the audience.
Wake Up Dead Man
SHOOTING SCRIPT (Pink Pages: 06/16/2024) Rian Johnson A tight mystery with great character work, this screenplay is fab for studying how clues, reversals, and reveals are doled out for maximum tension. It’s super useful to get a feel for how ensemble characters and dialogue-driven scenes can both embody your theme AND move your plot forward.
Warfare
SHOOTING SCRIPT 2 May 13th Ray Mendoza and Alex Garland This stripped-down, immersive script prioritizes realism and experiential storytelling. It’s a master class in how to use the ying and yang of momentum vs. downtime to build tension, and a wonderful example of how minimal exposition can still create a story that audiences will buy.

All screenplay links go to official sources hosted by studios, distributors, or industry publications such as Deadline for awards-season consideration.

What You Can Learn from Professional Scripts

Reading great screenplay examples can be one of the easiest and most effective ways to sharpen your story instincts and help you grow as a screenwriter. With each script you read, your sense of story, pacing, and screenplay writing style gets stronger and stronger. After a few scripts, you’ll start to just kind of… absorb story structure, pacing, and character development, and, before you know it, they will start to be reflected in your own writing.

What You Can Learn from Professional Scripts

All of the screenplays on our “Best Screenplays to Read” list were chosen not just because they’re available, but because we here at Writing Ninja believe they offer something worth exploring, from story structure and character decisions to tone and craft. Try to find stories that you wish you’d written and download ’em.

So as you read, watch, and compare these screenplays to your own project, notice how different screenwriters solve similar storytelling challenges. Do they do it the way might? Or maybe they show you different ways you could tackle your story? (Or maybe it shows you what you DON’T want to do!) Diving into professional, award-season scripts like these can help you see the patterns, gaps, and uniqueness each writer brings to their story. And when you see how others succeed (or fail!), it can be all that much easier to recognize what might work in your own writing.

As you continue to read and analyze scripts, it can be super useful to track the patterns and structure of stories similar to yours (comparable inspirational movies/stories, or “comps”). Tools like the Movies Like Mine feature can help you not only FIND compelling comps, but also make sense of what you’re discovering and learning — free to try if you want a little extra help.

Archive of Previous Years

Looking for more of the best scripts to read? Here are the free screenplay downloads from previous years. (Some links may be broken; a lot of the studios remove the scripts once FYC is over.)
There’s so much you can learn from reading great work. So download and devour as many as you can — they’re free and here for you to learn from!

45 Screenplay PDFs to Download for Free (2022 List)

for educational purposes only

Screenplay Title
Version
Writer(s)
Annette Undated draft by Ron Mael and Russell Mael
Being The Ricardos Undated draft by Aaron Sorkin
Belfast August 2020 (shooting draft) by Kenneth Branagh
The Boss Baby: Family Business January 7, 2021 (final draft) by Michael McCullers (Story by Tom McGrath & Michael McCullers)
C’Mon C’Mon Undated draft by Mike Mills
The Card Counter Undated draft written by Paul Schrader
CODA Undated draft by Siân Heder (Based on La Famille Belier)
Cyrano Undated draft by Erica Schmidt, Based on the stage musical adapted and directed by Erica Schmidt from Cyrano de Bergerac by Edmond Rostand, Music by Aaron & Bryce Dessner, Lyrics by Matt Berninger & Carin Besser
Don’t Look Up Undated draft Written by Adam McKay Story by Adam McKay and David Sirota
Dune June 19, 2020 (salmon revisions, final shooting draft) by Jon Spaihts and Denis Villeneuve and Eric Roth (Based on the novel ‘Dune’ by Frank Herbert)
The Electric Life of Louis Wain Undated draft by Simon Stephenson and Will Sharpe
Encanto Undated draft by Charise Castro Smith & Jared Bush
The French Dispatch (aka “The French Dispatch of the Liberty, Kansas Evening Sun”) Undated draft by Wes Anderson, Story by Wes Anderson, Roman Coppola, Hugo Guinness, Jason Schwartzman
The Hand Of God — English version — (E’ Stata La Mano DiDio) Undated draft by Paolo Sorrentino
The Hand Of God — original Italian — (E’ Stata La Mano DiDio) Undated draft by Paolo Sorrentino
The Harder They Fall Undated draft Screen Story by Jeymes Samuel. Screenplay by Jeymes Samuel and Boaz Yakin
A Hero October 2020 Adapted by Asghar Farhadi
House of Gucci Undated draft by Becky Johnston and Roberto Bentivegna, Story by Becky Johnston, Based on the book The House of Gucci by Sara Gay Forden
The Humans Undated draft by Stephen Karam, From a play by Stephen Karam
Invasion (aka “Encounter”) September 29, 2020 (white draft) by Joe Barton and Michael Pearce
Jockey Undated draft by Clint Bentley & Greg Kwedar
King Richard November 19, 2021 (Final as Filmed Draft) by Zach Baylin
Last Night In Soho Undated draft by Edgar Wright & Krysty Wilson-Cairns, Story by Edgar Wright
The Lost Daughter Undated FYC draft by Maggie Gyllenhaal, based on the novel by Elena Ferrante
Luca 5/10/2021 (final draft) by Jesse Andrews Mike Jones
MacBeth (aka “The Tragedy of MacBeth”) 1/16/20 (blue REVISED) by Joel Coen. Based on the play by William Shakespeare
Mass Undated draft by Fran Kranz
The Mitchells Vs. The Machines Undated draft by Mike Rianda and Jeff Rowe
Nightmare Alley December 1, 2021 (Final Shooting Script) Written by Guillermo del Toro & Kim Morgan, Based on the Novel by William Lindsay Gresham
Nine Days August 2, 2019 (yellow draft) by Edson Oda
No Time To Die Undated draft by Neal Purvis & Robert Wade and Cary Joji Fukunaga and Phoebe Waller-Bridge, Story by Neal Purvis & Robert Wade and Cary Joji Fukunaga
Parallel Mothers Undated draft by Pedro Almodóvar
Passing Undated draft by Rebecca Hall, Based on the Novella by Nella Larsen
The Power of the Dog Undated draft by Jane Campion, Based on The Power of the Dog By Thomas Savage
Raya and The Last Dragon Undated draft by Qui Nguyen and Adele Lim
Red Rocket October 25th, 2020 (Green Revision Draft) by Sean Baker & Chris Bergoch
Respect Undated draft by Tracey Scott Wilson, Story by Callie Khouri and Tracey Scott Wilson
Spencer Undated Shooting Script by Steven Knight
Spirit Untamed January 29, 2021 (MPAA Screening script) by Aury Wallington and Kristin Hahn, Additional Dialogue by Katherine Nolfi
Stillwater Undated draft by Tom McCarthy & Marcus Hinchey and Thomas Bidegain & Noé Debré
Swan Song Undated draft by Benjamin Cleary
The Tender Bar Undated draft by William Monahan (based on the book by J.R. Moehringer)
Tick, Tick… Boom! Undated draft by Steven Levenson, Music and Lyrics by Jonathan Larson, Based on the musical by Jonathan Larson
The Tomorrow War Undated draft by Zach Dean
West Side Story Undated draft by Tony Kushner, Based on the book for the musical by Arthur Laurents

All screenplays, titles, company names, logos, and brands are trademarks™ or registered® trademarks of their respective owners. Use of them does not imply any affiliation with or endorsement by them.

After you download and read these award-season screenplay PDFs, you’ll probably start noticing patterns and story elements you may want to try when writing your own story. As ideas spark, Writing Ninja’s full suite of story development tools can support you with tools for comparing scripts, tracking ideas, and shaping drafts. It helps you turn those ideas into a story, exploring it at your own pace — all available to explore for free, whenever it’s useful to you.

Noi Sabal Headshot -Sausalito boat

About the Author

Noi Sabal has been steeped in story for decades: writing screenplays, teaching storytelling at the university level, editing TV shows & feature films, and consulting on scripts. Her work has been broadcast on ABC, Disney, Fox, Nickelodeon, Sundance, and many more. In 2017, Noi founded Writing Ninja®, the Story Development Platform that empowers writers to build better stories, one Brainstorm Board® at a time.


Writing Ninja is a story development platform that makes it really easy for writers to create professional-quality stories for their screenplays and novels.

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