It’s Screenplay Season! The Best Screenplays to Read (with free PDF downloads) – updated for the 2026 Awards Season
Looking for the best scripts to read? Every year, we compile a comprehensive list of free, legal screenplay PDFs from the awards season so that you can learn from the best scripts of the year.

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Noi Sabal
Founder
We love Awards Season because we get to download and devour tons of the best screenplay PDFs for the best movies released over the past year. For free — legally! They’re ours to download, read, learn from, and keep forever.
During this magical time of year, many studios give away the best examples of screenwriting to convince guild members to read and vote for their scripts/movies in various awards, like the Oscars, Emmys, and WGA Awards. So many studios have “For Your Consideration” (FYC) websites packed with yummy content: behind-the-scenes stills, videos, interviews… and most excitingly to us, the scripts. Yup, they share tons of amazing scripts, all free to download with just one caveat: all screenplays are for educational purposes only. But since we’re always trying to get an edge in our screenwriting, Awards Season downloads are a great way to educate ourselves. How? Let’s take a look.
There are lots of ways we can learn by reading the best, most current screenplays available. First, if you want to write great stories, you have to read great stories to know how it’s done. As Stephen King famously said, “If you don’t have time to read, you don’t have time to write.” And what can be a better place to get your screenplay reading material than a list of award-winning (or nominated) screenplay PDFs?
If you don't have time to read, you don't have the time (or the tools) to write. Simple as that.
— Stephen King
Now, we’re not reading these screenwriting examples to copy them or even to be influenced by their stories, but to absorb screenwriting in general. Since screenwriting is very different from writing traditional prose, it can take a minute to get used to it. Not just to learn about the literal screenplay format (because screenwriting software like Final Draft, Highland 2, or Arc Studio can help with the basic mechanics of formatting your script… so there’s not much of a need to read screenplays to learn formatting). But getting familiar with how screenplay stories are told — how scripts are structured and written — can take some getting used to.
The more you read, the better you write.
Reading award-winning screenplay PDFs can help you start to feel how screenwriting works. How to go into a scene late and leave early. How to write action to show, not tell. How to hint at a character’s arc from the very first scene. How to create a satisfying ending that naturally builds and builds… then climaxes in a way that connects with audiences. Screenwriting is not an easy, intuitive way to write. It’s much easier to write traditional prose/fiction because you have a lot more structural freedom. So it really helps to read as many screenplays as possible. Because as screenplays become more familiar to read, screenwriting will become more intuitive to write.
While the basic mechanics of formatting don’t drastically change from year to year, staying on top of trends in screenwriting nuance can be one of the easiest ways to make you look like a seasoned pro. (Are we still using FADE IN? What about CON’T between pages? And staccato sentences — use ’em everywhere… nowhere… just in action scenes???) In meetings, showing that you’re staying current with industry expectations can make a HUGE difference. Being about to talk about a current Oscar contender or a hot trend lets people know you take your craft seriously.
Even if you don’t adhere to formatting trends, being aware of how today’s stories are structured, paced, and written overall can still subtly inform your writing/storytelling. The simple act of reading current screenplays lets you continue to develop your storytelling instincts so you can make informed, confident choices in your own writing — and help you look like a pro in the meetings you’ll get while shopping your amazing script!
So if you have to steep yourself in story by reading current screenplays, what could be better than reading the best screenplays written by the best screenwriters? Screenwriters who have already done what we aspire to: finish their screenplays, get optioned, and produced. When you read the best, you can learn from the best, and, hopefully, become the best!
So let’s dive into our big ole list of professional screenplay PDFs and check out which screenplays writers should read in 2026.
How to Read a Screenplay Like a Pro
Here are 3 quick tips on how to use these future award-winning screenplay examples to help inspire your stories.
Find and Read Comps
What to look for on a first read
Choose screenplays that are comparable to the kind of story you want to write (aka “Comps”). They can be similar to your story in any way… genre, tone, scope, character, world — anything that speaks to you. On your first read, don’t analyze, just read and enjoy. Notice what speaks to you, where you get pulled in, and, importantly, where your attention drifts. This first, instinctive read is super valuable.
Read-n-Watch
For your second read, watch the movie/show while you follow along in the script. Pay attention to anything that changed, what spoke to you when you were reading vs watch/reading, and how the screenwriter’s choices on the page translated to the screen. Doing a “Read-n-Watch” is one of the best ways to understand pacing, visual storytelling, and how much work the script has to do. Most importantly, notice how little you have to describe/write. Brevity is your friend when screenwriting!
Compare to Your Story Idea
How to analyze and develop your story using real scripts. Now, compare your Comp’s script to your story idea. Compare structure, scene purpose, character decisions, plot points, arc escalations — not to copy them, but to learn from them. Ask yourself where your story is stronger, where it’s thinner, and if there are any techniques you could “borrow” that could impact or inspire your story.
When you read screenplays, you can absorb the cadence of the Action… find the patterns in the patter of Dialogue… get a feel for the succinctness of Scenes. (And! You’ll discover that all Screenwriting Rules are made to be broken — but it’s helpful to know ’em before you go around breaking them!)
If you want some help finding comps or understanding how these scripts work, you can try Writing Ninja’s Movies Like Mine feature for free. It can help you identify similar stories and explore them step by step, making it easier to learn what works and how to apply those insights to your own project.
Why read professional screenplay samples?
First as a film student, then as a screenwriter and teacher, and now as the Founder of Writing Ninja, I’ve been downloading and reading Awards Season screenplays for a long, long time. I’ve learned soooo much from reading the FYC screenplays. And almost every screenwriter friend and colleague I have does the same. These award-winning screenplays are gold! That’s why we take the time to curate this big ole list of the best screenplays to read every year.
You can glean more from reading a few amazing screenplays than you can from reading screenwriting books or watching movies. I have a shelf that groans under dozens of printed FYC scripts that I will still dig out and reference. And the closet in my office has just about every iteration of iPad (all with cracked screens!) that I keep just because they are stuffed with tons of the amazing screenplay PDFs I’ve downloaded over the years. Even now, after decades in the business, my screenplay collection is still growing thanks to this once-a-year, studio-sanctioned bonanza of free scripts to download. And with the links below, this year’s treasure trove of awards season screenplays is a great place to start — or grow! — your own collection of screenplay downloads, too!
So without further ado… let’s dive into Writing Ninja’s list of professional screenplay PDFs for this year’s Awards Season and see which screenplays writers should read in 2026. Enjoy!
Gather ye screenplays while ye may…
After the season, they go away.
Grab as many of these screenplay downloads as you can while you’re here. Because after awards season, the best scripts to read often get taken down by the studios.
The 2026 Awards Season: Free Screenplay PDF Downloads
for educational purposes only
This is a regularly updated list of official FYC screenplays from films released in 2025. Every year at Writing Ninja, we curate free, legal PDF downloads that the studios post for guild voters (and aspiring screenwriters!) to read, study, and learn from. We highly recommend downloading these scripts; they’re fabulous for learning/analyzing structure, character development, and script format.
Click on the Screenplay’s Title to open the script PDF or the Writer’s Name to search for them on IMDb
Screenplay Title |
Version |
Writer(s) |
Why Read? |
After The Hunt |
08.13.24 | Nora Garrett | A tense, psychologically driven story that explores moral ambiguity and power dynamics under pressure, this script is great for studying how quiet choices, withheld information, and escalating suspicion can generate momentum without overt action. |
Belen |
English | Agustina San Mart | This intimate character study uses a ton of atmosphere and emotional subtext and is good for examining how minimal dialogue, behavior, and setting can carry story weight and reveal character psychology over time. |
Blue Moon |
CONFORMED SCRIPT JAN. 9, 2025 | Robert Kaplow | Heavy on mood, subtext, and emotion, this confined setting and real-time story structure work because of razor-sharp dialogue. Great for studying how quiet moments, unresolved tension, and internal conflict can drive story without traditional plot structure. |
Bugonia |
Pink Shooting Script, 12.08.24 | Will Tracy • Jang Joon-hwan | This conspiracy-thriller meets absurdist dark comedy is a highwire act of sharp storytelling. In this three-hander, you can see how shifting character perspectives and absurdity can be used to force audiences to explore, accept, or resist the story’s theme. |
Deliver Me From Nowhere |
CHERRY DRAFT 1-2-2025 | Written by Scott Cooper • Based on the book, “Deliver Me From Nowhere,” by Warren Zanes | This restrained character study is driven by mood and subtext rather than plot mechanics. It’s super useful for studying how internal conflict and emotional restraint can drive a story. |
Eddington |
1.21.25 | Ari Aster | This script (interestingly subtitled, “A COVID-19 Western”), is a study in not only characters, but also world-building and how to establish an unsettling tone. It’s an excellent resource to see how an intentionally abrasive Protagonist can still sustain narrative drive. |
Friendship |
Final 1/10/2024 | Andrew DeYoung | This is a biting slice of life, rife with interpersonal dynamics and a shifting power dynamic. Great for studying how tone and character action creates conflict without relying on traditional plot escalation. |
Hamnet |
Version 2.3 • August 18th 2024 | Chloé Zhao and Maggie O’Farrell | Excellent example of adaptation, this lyrical, emotionally driven script is full of atmosphere and expertly weaves historical material through its narrative. A study of how love, hope, and grief can be translated into visual storytelling, thematic structure, and poetic tone. It’s also a fab example of how relationships, perspective/memory, and subtext can carry stakes without relying on conventional plot escalation. |
Hedda |
Yellow Shooting Script: 2024.02 | Nia DaCosta | Another modern reimagining of a classic, read this script to see how timeless character conflicts can be put in a contemporary setting. It’s really great to study for how control, manipulation, and a character’s Internal Goal can drive the dramatic engine and tension. |
If I Had Legs I’d Kick You |
1.30 with Scene #s | Mary Bronstein | A bold, voice-driven script that leans heavily on perspective and emotion. This is a fab script to see how discomfort, honesty, and character psychology can carry a story structurally. |
Is This Thing On? |
(undated) | Screenplay by Bradley Cooper and Will Arnett & Mark Chappell Story by Will Arnett & Mark Chappell & John Bishop | This is a strong example of how to balance dry humor with emotional weight. Useful for studying how multiple creative voices can harmonize on character, tone, and story cohesion. |
It Was Just an Accident |
(undated) | Jafar Panahi | This restrained, deceptively simple script is good for studying how tension, theme, and character can grow out of everyday situations rather than huge plot mechanics. The small choices, moral ambiguity, and carefully structured encounters that gradually escalate the stakes and deepen the emotional impact are a great example of how minimalism and deliberate storytelling choices can drive a story. |
Jay Kelly |
Undated | Noah Baumbach • Emily Mortimer | Even though this is a reflective character study, it’s a great example of how to create rich supporting characters for an ensemble cast. Great if you want to see how personal conflicts can organically shape story beats by using subtle internal arcs. |
KPop Demon Hunters |
FULL SCRIPT – BUILD CONFORM 10/31/24 | screenplay by Danya Jimenez & Hannah McMechan and Maggie Kang and Chris Appelhans • story by Maggie Kang • Uncredited Writers: Bo Yeon Kim, Erika Lippoldt | Don’t just read KPop Demon Hunters as an animated feature. Or as Netflix’s most popular film so far. But read it because it’s got relatable, layered protagonists (with clear wants, vulnerabilities, and choices that drive the plot) and clean storytelling: scenes built around playable actions, sharp turn-by-turn beats, and momentum that doesn’t rely on dialogue to “explain” the movie. It’s also great to learn how to weave music/performances into structure (setups, payoffs, escalation) while keeping character arcs and stakes front and center. |
Marty Supreme |
FINAL 02/02/25 | Ronald Bronstein • Josh Safdie | A propulsive, character-driven script that shows how a character’s personality can dictate pacing and structure. Good example of how voice, tone, and dialogue can keep audiences engaged — even when a Protagonist is abrasive or extreme. |
Materialists |
04/08/2024 – Locked pages | Celine Song | One word: Dialogue. This script explores intimacy, values, and emotional contradictions and is a great example of how Theme and Character can drive structure more than external plot events. |
Pillion |
Feb 01 2025 | Harry Lighton | This is a focused, controlled script with a ton of tone and narrative confidence. It’s a great example of how simplicity and restraint can impact both your character’s arc and your story’s theme. |
The Secret Agent |
(undated) | Kleber Mendonça Filho | When writing a script that you *know* you’re also going to direct, you can break all the rules! This is a great example of how writer/directors can include elements for themselves in their screenplays, like photos, shots, notes, and storyboards. (But remember, these are all things you should never include in a spec script.) |
Nuremberg |
(undated) | Written for the screen by James Vanderbilt • Based on the book by Jack El-Hai | Aside from being an interesting read, this historical/war script is great for learning current industry preferences on technical aspects of screenwriting, like how to handle writing in different languages, Supers, Epilogue, etc. And the economy of prose is superb; it’s amazing how full of a picture can be made with so few words. |
Sentimental Value |
Version 2.3 August 18th 2024 | Eskil Vogt and Joachim Trier | This subtle, character-driven script is excellent for studying how character perspective, memory, and shifting relationship dynamics create stakes and momentum without huge plot twists. It’s interesting to note how recurring motifs, uncomfortable silences, and layered subtext gradually reveal character. |
Sinners |
(undated) | Ryan Coogler | By tying a supernatural horror/thriller story to a tangible, historically charged reality, Sinners excels at myth building and atmosphere while still keeping it “familiar” enough to easily buy in. With dual roles designed to be played by one actor, the character building is fab, packed with distinctive dialogue and unique action for each brother. |
The Smashing Machine |
SHOOTING DRAFT – JUNE 28TH, 2024 | Benny Safdie | This is a raw, physical character study driven by internal conflict and full of lived-in detail. Read to see how to write intense internal conflicts and create emotional impact without relying on conventional plot structure. |
Sorry, Baby |
4.9.25 v2 | Eva Victor | A superb example of a character-driven script! This script balances humor with emotional vulnerability and is fabulous for studying voice, dialogue, timing, and how tonal shifts can deepen your connection to the audience. |
Wake Up Dead Man |
SHOOTING SCRIPT (Pink Pages: 06/16/2024) | Rian Johnson | A tight mystery with great character work, this screenplay is fab for studying how clues, reversals, and reveals are doled out for maximum tension. It’s super useful to get a feel for how ensemble characters and dialogue-driven scenes can both embody your theme AND move your plot forward. |
Train Dreams |
(undated) | Clint Bentley & Greg Kwedar • Based on the book by Denis Johnson | Valuable for studying how to write the passage of years through selective detail, environment, and episodic structure rather than traditional three-act plotting, this script’s imagery, rhythm, and the accumulation of quiet life moments create more of an emotional arc, telling a story through time and perspective, not spectacle. |
Warfare |
SHOOTING SCRIPT 2 May 13th | Ray Mendoza and Alex Garland | This stripped-down, immersive script prioritizes realism and experiential storytelling. It’s a master class in how to use the ying and yang of momentum vs. downtime to build tension, and a wonderful example of how minimal exposition can still create a story that audiences will buy. |
Zootopia 2 |
(undated) | Jared Bush | Want to know how to build a sequel that expands the original IP without repeating itself? Look no further! Zootopia 2 is a great example of fast-moving plot mechanics and how to weave social commentary and humor in so you can appeal to both younger and adult audiences. It’s also useful to see how set pieces are designed around character Goals, how effective world-building can create story opportunities, and how emotional arcs are threaded through action in a large ensemble. |
All screenplay links go to official sources hosted by studios, distributors, or industry publications such as Deadline for awards-season consideration.
What You Can Learn from Professional Scripts
Reading great screenplay examples can be one of the easiest and most effective ways to sharpen your story instincts and help you grow as a screenwriter. With each script you read, your sense of story, pacing, and screenplay writing style gets stronger and stronger. After a few scripts, you’ll start to just kind of… absorb story structure, pacing, and character development, and, before you know it, they will start to be reflected in your own writing.
All of the screenplays on our “Best Screenplays to Read” list were chosen not just because they’re available, but because we here at Writing Ninja believe they offer something worth exploring, from story structure and character decisions to tone and craft. Try to find stories that you wish you’d written and download ’em.
So as you read, watch, and compare these screenplays to your own project, notice how different screenwriters solve similar storytelling challenges. Do they do it the way might? Or maybe they show you different ways you could tackle your story? (Or maybe it shows you what you DON’T want to do!) Diving into professional, award-season scripts like these can help you see the patterns, gaps, and uniqueness each writer brings to their story. And when you see how others succeed (or fail!), it can be all that much easier to recognize what might work in your own writing.
As you continue to read and analyze scripts, it can be super useful to track the patterns and structure of stories similar to yours (comparable inspirational movies/stories, or “comps”). Tools like the Movies Like Mine feature can help you not only FIND compelling comps, but also make sense of what you’re discovering and learning — free to try if you want a little extra help.
Archive of Previous Years
Looking for more of the best scripts to read? Here are the free screenplay downloads from previous years. (Some links may be broken; a lot of the studios remove the scripts once FYC is over.)
There’s so much you can learn from reading great work. So download and devour as many as you can — they’re free and here for you to learn from!
45 Screenplay PDFs to Download for Free (2022 List)
for educational purposes only
Screenplay Title |
Version |
Writer(s) |
| Annette | Undated draft | by Ron Mael and Russell Mael |
| Being The Ricardos | Undated draft | by Aaron Sorkin |
| Belfast | August 2020 (shooting draft) | by Kenneth Branagh |
| The Boss Baby: Family Business | January 7, 2021 (final draft) | by Michael McCullers (Story by Tom McGrath & Michael McCullers) |
| C’Mon C’Mon | Undated draft | by Mike Mills |
| The Card Counter | Undated draft | written by Paul Schrader |
| CODA | Undated draft | by Siân Heder (Based on La Famille Belier) |
| Cyrano | Undated draft | by Erica Schmidt, Based on the stage musical adapted and directed by Erica Schmidt from Cyrano de Bergerac by Edmond Rostand, Music by Aaron & Bryce Dessner, Lyrics by Matt Berninger & Carin Besser |
| Don’t Look Up | Undated draft | Written by Adam McKay Story by Adam McKay and David Sirota |
| Dune | June 19, 2020 (salmon revisions, final shooting draft) | by Jon Spaihts and Denis Villeneuve and Eric Roth (Based on the novel ‘Dune’ by Frank Herbert) |
| The Electric Life of Louis Wain | Undated draft | by Simon Stephenson and Will Sharpe |
| Encanto | Undated draft | by Charise Castro Smith & Jared Bush |
| The French Dispatch (aka “The French Dispatch of the Liberty, Kansas Evening Sun”) | Undated draft | by Wes Anderson, Story by Wes Anderson, Roman Coppola, Hugo Guinness, Jason Schwartzman |
| The Hand Of God — English version — (E’ Stata La Mano DiDio) | Undated draft | by Paolo Sorrentino |
| The Hand Of God — original Italian — (E’ Stata La Mano DiDio) | Undated draft | by Paolo Sorrentino |
| The Harder They Fall | Undated draft | Screen Story by Jeymes Samuel. Screenplay by Jeymes Samuel and Boaz Yakin |
| A Hero | October 2020 | Adapted by Asghar Farhadi |
| House of Gucci | Undated draft | by Becky Johnston and Roberto Bentivegna, Story by Becky Johnston, Based on the book The House of Gucci by Sara Gay Forden |
| The Humans | Undated draft | by Stephen Karam, From a play by Stephen Karam |
| Invasion (aka “Encounter”) | September 29, 2020 (white draft) | by Joe Barton and Michael Pearce |
| Jockey | Undated draft | by Clint Bentley & Greg Kwedar |
| King Richard | November 19, 2021 (Final as Filmed Draft) | by Zach Baylin |
| Last Night In Soho | Undated draft | by Edgar Wright & Krysty Wilson-Cairns, Story by Edgar Wright |
| The Lost Daughter | Undated FYC draft | by Maggie Gyllenhaal, based on the novel by Elena Ferrante |
| Luca | 5/10/2021 (final draft) | by Jesse Andrews Mike Jones |
| MacBeth (aka “The Tragedy of MacBeth”) | 1/16/20 (blue REVISED) | by Joel Coen. Based on the play by William Shakespeare |
| Mass | Undated draft | by Fran Kranz |
| The Mitchells Vs. The Machines | Undated draft | by Mike Rianda and Jeff Rowe |
| Nightmare Alley | December 1, 2021 (Final Shooting Script) | Written by Guillermo del Toro & Kim Morgan, Based on the Novel by William Lindsay Gresham |
| Nine Days | August 2, 2019 (yellow draft) | by Edson Oda |
| No Time To Die | Undated draft | by Neal Purvis & Robert Wade and Cary Joji Fukunaga and Phoebe Waller-Bridge, Story by Neal Purvis & Robert Wade and Cary Joji Fukunaga |
| Parallel Mothers | Undated draft | by Pedro Almodóvar |
| Passing | Undated draft | by Rebecca Hall, Based on the Novella by Nella Larsen |
| The Power of the Dog | Undated draft | by Jane Campion, Based on The Power of the Dog By Thomas Savage |
| Raya and The Last Dragon | Undated draft | by Qui Nguyen and Adele Lim |
| Red Rocket | October 25th, 2020 (Green Revision Draft) | by Sean Baker & Chris Bergoch |
| Respect | Undated draft | by Tracey Scott Wilson, Story by Callie Khouri and Tracey Scott Wilson |
| Spencer | Undated Shooting Script | by Steven Knight |
| Spirit Untamed | January 29, 2021 (MPAA Screening script) | by Aury Wallington and Kristin Hahn, Additional Dialogue by Katherine Nolfi |
| Stillwater | Undated draft | by Tom McCarthy & Marcus Hinchey and Thomas Bidegain & Noé Debré |
| Swan Song | Undated draft | by Benjamin Cleary |
| The Tender Bar | Undated draft | by William Monahan (based on the book by J.R. Moehringer) |
| Tick, Tick… Boom! | Undated draft | by Steven Levenson, Music and Lyrics by Jonathan Larson, Based on the musical by Jonathan Larson |
| The Tomorrow War | Undated draft | by Zach Dean |
| West Side Story | Undated draft | by Tony Kushner, Based on the book for the musical by Arthur Laurents |
All screenplays, titles, company names, logos, and brands are trademarks™ or registered® trademarks of their respective owners. Use of them does not imply any affiliation with or endorsement by them.
After you download and read these award-season screenplay PDFs, you’ll probably start noticing patterns and story elements you may want to try when writing your own story. As ideas spark, Writing Ninja’s full suite of story development tools can support you with tools for comparing scripts, tracking ideas, and shaping drafts. It helps you turn those ideas into a story, exploring it at your own pace — all available to explore for free, whenever it’s useful to you.
About the Author
Noi Sabal has been steeped in story for decades: writing screenplays, teaching storytelling at the university level, editing TV shows & feature films, and consulting on scripts. Her work has been broadcast on ABC, Disney, Fox, Nickelodeon, Sundance, and many more. In 2017, Noi founded Writing Ninja®, the Story Development Platform that empowers writers to build better stories, one Brainstorm Board® at a time.

Writing Ninja is a story development platform that makes it really easy for writers to create professional-quality stories for their screenplays and novels.
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